As promised, here are some photos of some recent work. I got them out of the kiln right before our July road trip. And had the photographed this week by my photographer, Guy Nicol.
This is some new dinnerware that I’ve been designing:
And this is part of my newest platter series:
I’m really excited for these new wall vases.
These pieces are sort of a hybrid between my oval vases and the wall pieces.
And this is a new surface that you’re going to start seeing on more of my pieces.
I’m really excited for a floral designer to go to town with them! Unfortunately, my favorite designer, Amy Lemaire, has moved away! Amy has done all the arrangements over the past 4 years. You can see some of her past work here
I think I’ve mentioned before that I’ve been in a cup making groove.
I really love the curve & tension in these handles.
The curve of this mug makes me want to fill it with hot cocoa and cup it in my hands on a cold autumn night. That’s not going to happen for a while.
And here are the peace cups that you might remember from a previous post
hope. peace. change.
This is a little trick that I picked up from my friend Jordan Taylor for throwing platters. I find it extremely useful so I thought I would pass it on to all of you and maybe you’ll find it useful too.
The quarter trick solves three problems that arise from throwing platters:
- Instead of having to both wedge and center one large mass of clay, you can break it down into two pieces which reduces the strain on your body
- It helps you more easily judge the thickness of the floor of the platter and adds consistency if you’re doing multiples.
- And it allows you to compress the floor of the platter REALLY well so you don’t have to worry about any future problems of cracking.
So here is the quarter trick:
Wedge up and center your first lump of clay. This piece is going to be the floor of your platter. I used 8 lbs of clay which gives me a slightly narrow but thick foot (great for putting holes into so you can hang it). You can vary the weight depending on the ultimate size of your platter. But I find that the 8 – 9 lb. range works for a variety of sizes of platters since the size foot isn’t necessarily that different.
Center your clay and compress the heck out of the floor. Place a quarter in the center of your centered clay (I use a 1974 quarter).
Wedge up your second piece of clay and place it on top of the quarter. I tend to use between 8 – 12 lbs. of clay for this second piece, depending on the ultimate shape of the platter.
Open up the platter and establish the curve.
TAKE OUT THE QUARTER!!!!
And clean it off so it doesn’t become part of your reclaim. (I speak from experience on this one.)
Then finish off your platter as usual and be aware of the thickness of the floor.
This platter isn’t actually the platter that is throw above. That platter is sitting in my studio waiting to be trimmed. But this platter was thrown in the same way.
Here is a virtual tour of the exhibition that I’m currently having at Haus in Chicago through May 6. It is a body of work that I have been working on for months, and had in my head for the last year or so. It is really excited to have the group of work finished and exhibited together. Click on any of the images to see them larger. I hope you enjoy your visit to the gallery…
I have a series of squared platters that I really see as canvases. The surfaces are a combination of layered slips, sprayed glazes and the soda kiln.
I have taken the idea of my surfaces being canvases one step further. I have made a series of wall pieces. These are forms that I have been playing with for a while, but this is the first time that I have exhibited them.
And here are some mugs that echo the grid of squares above…
Chicago artist Amy Lemaire designed floral arrangements in my low oval vases. These are pieces that stand alone as sculptural forms, but come to life with greens, branches and flowers in them. This is just a selection of the pieces. I took these photos on a white piece of paper so you could see them a little bit better.